In this post I wrote about my experiences using ChatGPT to write fiction, ultimately concluding that AI is better at non-creative writing than creative writing. I will now use ChatGPT to further prove my point. AI was much better at generating the following nonfiction blog post than generating any fiction stories. I’ll let ChatGPT explain why:
This continues to be one of the best currently-running comic book series. It’s a brilliant premise (about how the belief in conspiracy theories makes them manifest in reality) with an equally brilliant execution, both the writing and the artwork. It is impressive how Tynion ties every famous conspiracy theory together and has it all make sense.
This is a fascinating book about the type of precognition often experienced in dreams, built off the work of J.W. Dunne. Author Eric Wargo provides numerous famous examples of precognitive dreams, often about traumatic events such as plane crashes or the sinking of the Titanic. Wargo claims such cases of precognition are actually “prememory”: your unconscious mind remembering a future memory, not of the event itself, but of your emotional reaction to learning news of the event. Both the author and I are aware of how crazy and “woo” this all sounds, but Wargo’s research is scientifically rigorous, and he walks a fine line of being both skeptical about paranormal claims but also open-minded to their possibilities (something I wish more on both sides of the paranormal/skeptical debate were willing to do).
This is the second Arthur C. Clarke novel I’ve read (the first being Rendezvous With Rama), and I’ve been blown away by both. For some reason I expected Clarke’s books to be a bit drier and more dated, but his is some of the most exciting and mind-expanding science fiction I’ve ever read. I should have expected no less from the mind behind 2001: A Space Odyssey. Perhaps I had that prejudice because in some older sci-fi books, the science and ideas become outdated or the writing style does (or it was never any good to begin with). Especially with hard science fiction, which Clarke is often categorized as, the science is prioritized over the story, craft, and characters, so once the science itself becomes dated, the book does as well. But this is NOT the case with Arthur C. Clarke. Though there is some “hard science” in Childhood’s End, it was also quite weird, speculative, and philosophical (like 2001). Clarke’s ideas remain highly relevant and he is an exquisite composer of prose. This novel particularly features so many brilliant lines of philosophical insight, such as: “There were some things that only time could cure. Evil men could be destroyed, but nothing could be done with good men who were deluded.”
With the advent of streaming services, the world has been flooded with television series—much too many for any one person to watch. These shows are mostly good but rarely great. I’ve come to realize why television tends toward mediocrity. Most people only half-watch tv in the background while doing other things like browsing social media on a second screen. They don’t have the self-discipline to not look at their phone while watching tv, so tv shows cannot be too intellectually challenging. TV shows are purposely dumbed-down so they can be half-watched while viewers are multitasking. Most people don’t have the attention span to watch artistic films—or movies that make you think. That’s why most tv shows drag on and are repetitive—so people can still understand what’s going on while scrolling Instagram. But if I’m going to watch something, I devote my full attention, which is the way cinema is meant to be seen. The other issue with television is series being canceled prematurely and never getting closure. It is for these reasons, among others, that I prefer movies to tv series. Though there were a few series worth watching this year.
Thomas Ligotti has become one of my favorite contemporary horror writers. Like my favorite contemporary science fiction writer, Ted Chiang, Ligotti writes exclusively short stories. Both writers have never published anything longer than a novella. In this excerpt from an interview, Ligotti explains why he has not and never will write a novel:
I think it’s safe to say that I will never write a novel. The reason is this: I really don’t like fiction, and novels are what fiction is all about. The only fictional works that I’ve ever admired are those which have their formal basis in essays (Borges), poetry (Bruno Schulz), monologues (Thomas Bernhard), or all three (Poe and Lovecraft). I want to hear a writer speaking, not see a movie in my mind that takes days or weeks to get through rather than 100 minutes or the time it takes to watch a multi-part mini-series. Why would anyone want to read The Silence of the Lambs when they could see the movie?
– Thomas Ligotti interviewed by Mark McLaughlin at Horror Garage
I am growing tired of trilogies these days—and series in general (in both books and film). It seems like every successful piece of intellectual property in the entertainment industry must be prolonged indefinitely. What happened to a single complete story with a beginning, middle, and end? Most series would best be novels, most novels would best be short stories, and most short stories would best not exist.
I already went over my favorite movies, TV shows, fiction books, nonfiction books, and comic books I consumed this past year, so now it’s time for one last look back at 2021 for the best of the rest: video games, audio dramas, and music.
The Department of Truth is an inventive spin on conspiracy theories. In this world, every conspiracy is true, but at the same time, no conspiracy theory is true. It’s a slight spoiler to explain that, basically, if enough people believe in a conspiracy then it manifests in reality. The “Department of Truth” is a government agency that works to prevent dangerous conspiracies from spreading and becoming real. The books are well-researched in conspiracy lore, featuring popular theories like JFK, flat earth, the Satanic panic, Bigfoot, and more. My only gripe is that it’s a bit too anti-conspiracy theory, the subtext being all conspiracy theories are false and conspiracy theorists are dangerous. In reality, many (but not all) conspiracy theories are false, and some (but not most) conspiracy theorists are dangerous. Overall, this was really well-written with great artwork and I can’t wait for the next volume.
This is the bible of Austrian economics by the grandfather of Austrian economics, Ludwig von Mises. Human Action is Mises’ magnum opus on economics, philosophy, and history—or more precisely, it’s about what Mises terms “praxeology”: the study of human action, which all economic activity boils down to. This is a long book (it took me half the year to get through, which is why there are fewer honorable mentions this year) but it was worth it. You will better understand the world today by reading this 82-year-old tome than by reading today’s newspapers.