In this post I wrote about my experiences using ChatGPT to write fiction, ultimately concluding that AI is better at non-creative writing than creative writing. I will now use ChatGPT to further prove my point. AI was much better at generating the following nonfiction blog post than generating any fiction stories. I’ll let ChatGPT explain why:
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There was much hype on the internet upon the release of ChatGPT, OpenAI’s free-to-use text-generating artificial intelligence program based on a Large Language Model (LLM). You can write any prompt, and ChatGPT will instantly produce grammatically correct text—of just about any type (fiction, nonfiction, poetry, etc.). Some worry this could spell the end of human writers. It is admittedly impressive what GPTs can produce—though it is still limited. As an experiment, I tried writing several fiction stories with ChatGPT. I have literally thousands of story ideas, more than I could ever write myself. So I figured I’d take some of the lesser ideas at the bottom of my queue, those I’d probably never get around to, and let the AI write it for me—if it could.
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One of my works in progress is a science fiction novella about the creation of an artificial general intelligence (AGI). The story features a scene where the human programmers are amazed that the AGI can create original artwork of any kind on demand. I wrote the first draft in 2018. Yes, just four years ago an AI that could create art seemed like a speculative bit of futurism. Now it appears I will need to revise that scene, as what was “sci-fi” then is now just “sci.” Reality is progressing faster than I can publish science fiction.
When I wrote this post about DALL-E last May, I had only seen others’ generative-AI creations; I hadn’t gotten the chance to create my own AI art yet. Now I have and am utterly addicted. There was much hype around AI image generators like DALL-E and Midjourney when they were first released. Usually when something is hyped that much in the media it is overblown; the reality is far less dramatic. But after DALL-E became public, plus the release of the free and open-source Stable Diffusion, I have had the chance to create my own AI art (thousands of images at this point—and counting). While the initial hype was quite high, I would venture to say it was not nearly high enough. Most people still don’t realize how significant generative AI is/will be. In the future, people will look back at the world pre-AI art as a distinct, unrecognizable time. Generative AI is a total game-changer, an artistic singularity.
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DALL-E is the new artificial intelligence project from OpenAI that is sweeping the internet. It is an AI that can instantly produce a unique image based simply on a text description. There seem to be few limits, as the AI can create multiple high-quality images of just about anything you can think of. This has many people fearing that DALL-E will spell the end of human artists. But are the images DALL-E produces even art? Can AI ever create art?
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The best form of advertising is word of mouth, and the new word of mouth is social media. The aim of social media companies is to make their users spend more time on their platforms in order to generate more ad revenue. The more time people spend online, the less time they spend with other people in person, which means less time for physical “word of mouth” interactions. Today, people have more interactions with other people on the internet than in real life, making social media the new “word of mouth”. (This was true before the Covid-19 pandemic which only compounded this effect further.)
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According to my Goodreads stats (which I use to track every book I read), I read 95 books in 2020, which is down slightly from last year (114). Though that includes comic books, which are shorter and quicker to read, plus audiobooks, and I read less comics, so more full-books in all. My increased reading was not due to being stuck at home during quarantine as that didn’t affect my lifestyle much—it’s primarily because I severely cut down on reading Twitter and other online news. I previously wrote about the futility of following the daily news closely, but I still clung to Twitter—a little too much—sometimes a lot too much. I will expand upon how I broke my Twitter addiction in a future post, but suffice it to say, these days I check Twitter just once a day (at night after getting my work done) for only a couple minutes—if at all. This immediately reduced my stress levels and gave me much more time to read more valuable things that will stand the test of time, such as the following books.
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The theme this year is that, due to the abundance of streaming services, there is simply too many good TV shows to keep up with. I don’t have time to watch shows that are merely “good”—they must be great. Perhaps it’s just me, and other people (especially during COVID lockdowns) have more free time to devote to television. I used to have lots of time to waste watching TV before I became a writer. These days, the vast majority of my time is spent writing and doing other writing-related business. The second-most amount of time is spent reading. Books, especially science fiction, are generally better than TV. Then there are the daily essentials like exercising, eating, and other errands, during which I listen to podcasts. That leaves me about two hours at night before bed to watch a TV show, movie, or documentary. I’ve cut down on my television watching this year, focusing more on movies and documentaries—again because I don’t have the time to watch multiple multi-season series. I can easily get through a mediocre movie when it’s only an hour or two, but watching a mediocre TV series can take dozens of hours, which is time I don’t have to spare. In the past, whenever I started watching a TV series I’d see it through to the end no matter what, but I’ve been cutting the cord early on TV shows more and more. My patience for mediocrity evaporates over time. Having said that, there were at least ten shows I saw in 2020 that were worth my time.
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Self-driving cars are inevitable. Tesla, Ford, BMW, Nissan, GM, Google, Baidu, Apple, Amazon, Uber, Lyft, and many more companies are all working on developing autonomous driving systems for their vehicles. It is not a matter of if, but when. Self-driving automobiles will be ubiquitous in the future. There is one core conundrum with self-driving cars, however. Self-driving cars will only work if there are only self-driving cars.
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Death by Self-Driving Car is a collection of three short stories about the near-future prospects of autonomous automobiles and their potential impact on society.
“The Autonomous Trolley Problem” is a new spin on the classic philosophical thought experiment. What was originally proposed as an insoluble ethical dilemma may soon need to be solved when programming self-driving algorithms in the real world.
“Redundant Truckers” is about the mass unemployment former truck drivers could face in the wake of self-driving semi-trucks such as those being developed by Uber’s “Otto,” as well as the possibility of Universal Basic Income (UBI) to address that issue.
Finally, the titular story, “Death by Self-Driving Car,” is a Sherlock Holmes-style detective mystery about an insurance investigator hired to look into a rare self-driving car accident that resulted in the death of a human passenger.
Death by Self-Driving Car is now available as an ebook on Amazon, free to read for Kindle Unlimited members. You can also buy the ebook from me directly via PayPal, Cash App, Bitcoin, or other cryptocurrencies at any price of your choosing (including free if money is a problem for you). Just email me with your preferred file format (PDF, EPUB, MOBI) and payment method.
The future of movies will be the present of books. Filmmaking will become like self-publishing today in the sense that anybody can easily do it entirely by themselves.
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T.Z. Barry 