Author Archives: T.Z. Barry

The Success of Succession

Since Succession premiered in 2018, I repeatedly heard so many people I respect say how great the show was, but I hesitated to start watching. It wasn’t that I doubted them; I was just waiting to find the time to dive in. (Too much content.) With the final season airing this year, I thought it would be a good time to catch up before the finale. Part of the reason I hesitated to start Succession was fear of getting absorbed in yet another series that would go on indefinitely—or get canceled prematurely. Knowing there was an end in sight allowed me to begin. Long story short, it turns out all those people were right: Succession is a great show. It is highly dramatic with surprising twists and turns, but it is also extremely funny—funnier than most sitcoms, full of classic one-liners. It ranks up there with The Wire, The Sopranos, Mad Men, and Breaking Bad as one of the top television series of all time.

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ChatGPT on Why ChatGPT Sucks at Writing Fiction

In this post I wrote about my experiences using ChatGPT to write fiction, ultimately concluding that AI is better at non-creative writing than creative writing. I will now use ChatGPT to further prove my point. AI was much better at generating the following nonfiction blog post than generating any fiction stories. I’ll let ChatGPT explain why:

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ChatGPT Has No Voice and It Must Mimic: Writing Fiction With AI

There was much hype on the internet upon the release of ChatGPT, OpenAI’s free-to-use text-generating artificial intelligence program based on a Large Language Model (LLM). You can write any prompt, and ChatGPT will instantly produce grammatically correct text—of just about any type (fiction, nonfiction, poetry, etc.). Some worry this could spell the end of human writers. It is admittedly impressive what GPTs can produce—though it is still limited. As an experiment, I tried writing several fiction stories with ChatGPT. I have literally thousands of story ideas, more than I could ever write myself. So I figured I’d take some of the lesser ideas at the bottom of my queue, those I’d probably never get around to, and let the AI write it for me—if it could.

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The Artistic Singularity: Generative AI and the Future of Movies

One of my works in progress is a science fiction novella about the creation of an artificial general intelligence (AGI). The story features a scene where the human programmers are amazed that the AGI can create original artwork of any kind on demand. I wrote the first draft in 2018. Yes, just four years ago an AI that could create art seemed like a speculative bit of futurism. Now it appears I will need to revise that scene, as what was “sci-fi” then is now just “sci.” Reality is progressing faster than I can publish science fiction.

When I wrote this post about DALL-E last May, I had only seen others’ generative-AI creations; I hadn’t gotten the chance to create my own AI art yet. Now I have and am utterly addicted. There was much hype around AI image generators like DALL-E and Midjourney when they were first released. Usually when something is hyped that much in the media it is overblown; the reality is far less dramatic. But after DALL-E became public, plus the release of the free and open-source Stable Diffusion, I have had the chance to create my own AI art (thousands of images at this point—and counting). While the initial hype was quite high, I would venture to say it was not nearly high enough. Most people still don’t realize how significant generative AI is/will be. In the future, people will look back at the world pre-AI art as a distinct, unrecognizable time. Generative AI is a total game-changer, an artistic singularity.

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Content Creation in the Coming Attention-Based Economy

Writers have always struggled to get adequately paid for their work. Before the internet, publishing companies (for books, newspapers, and magazines) had the power as gatekeepers to take advantage of writers who had no other means to get their writing to the public. Publishers would take a large percentage of the pay—because they could. Today, the internet provides a way around traditional gatekeepers, but some writers still struggle to get paid. This could change in the future with the development of currently existing technology.

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Why the End of a Story Matters Most

Storytellers often defend their work that is criticized for a poor ending (cough-cough LOST) by claiming that the story or plot didn’t really matter—it was about the characters all along. This is a cop-out. The most important part of any story is the STORY, not the characters, and a story is not a story without “The End.”

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Best New(ish) Movies I Watched in 2022

I rarely see movies in the theater anymore and instead wait until new releases are available for streaming, so my reviews of “new” movies are not so “new.” It sometimes takes me a year or two to catch up. There are still a lot of 2022 movies I want to see (look for those on next year’s list). I’ll break this year’s list into tiers, Tier-1 being the best and Tier-5 being the worst. The movies in each tier are sorted alphabetically as it’s pointless to rank equally great works of art over each other. One is not better than the other—they are just different. (Check JustWatch.com to see where movies on this list are currently streaming.)

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Best of the Rest of 2022: Comic Books, Video Games, and Music

Best Comic Books I Read in 2022

1. The Department of Truth, Vol. 3: Free Country (2022) by James Tynion IV (and various artists)

This continues to be one of the best currently-running comic book series. It’s a brilliant premise (about how the belief in conspiracy theories makes them manifest in reality) with an equally brilliant execution, both the writing and the artwork. It is impressive how Tynion ties every famous conspiracy theory together and has it all make sense.

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Best Nonfiction Books I Read in 2022

1. Time Loops: Precognition, Retrocausation, and the Unconscious (2018) by Eric Wargo

This is a fascinating book about the type of precognition often experienced in dreams, built off the work of J.W. Dunne. Author Eric Wargo provides numerous famous examples of precognitive dreams, often about traumatic events such as plane crashes or the sinking of the Titanic. Wargo claims such cases of precognition are actually “prememory”: your unconscious mind remembering a future memory, not of the event itself, but of your emotional reaction to learning news of the event. Both the author and I are aware of how crazy and “woo” this all sounds, but Wargo’s research is scientifically rigorous, and he walks a fine line of being both skeptical about paranormal claims but also open-minded to their possibilities (something I wish more on both sides of the paranormal/skeptical debate were willing to do).

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Best Fiction Books I Read in 2022

1. Childhood’s End by Arthur C. Clarke (1953)

This is the second Arthur C. Clarke novel I’ve read (the first being Rendezvous With Rama), and I’ve been blown away by both. For some reason I expected Clarke’s books to be a bit drier and more dated, but his is some of the most exciting and mind-expanding science fiction I’ve ever read. I should have expected no less from the mind behind 2001: A Space Odyssey. Perhaps I had that prejudice because in some older sci-fi books, the science and ideas become outdated or the writing style does (or it was never any good to begin with). Especially with hard science fiction, which Clarke is often categorized as, the science is prioritized over the story, craft, and characters, so once the science itself becomes dated, the book does as well. But this is NOT the case with Arthur C. Clarke. Though there is some “hard science” in Childhood’s End, it was also quite weird, speculative, and philosophical (like 2001). Clarke’s ideas remain highly relevant and he is an exquisite composer of prose. This novel particularly features so many brilliant lines of philosophical insight, such as: “There were some things that only time could cure. Evil men could be destroyed, but nothing could be done with good men who were deluded.”

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