Author Archives: T.Z. Barry

Horror Movies I Watched in 2026

With Halloween approaching, I have compiled a list of all the horror movies I watched this past year, old and new, good and bad, and everything in between. I began separating them from my other lists because I watch so many horror movies, especially in October. The films are sorted into tiers based on quality and listed alphabetically within each tier. As streaming rights are always changing, check JustWatch.com to see where they are currently available to watch.

Tier 1: Cinematic Masterpieces

Hokum (2026) directed by Damian McCarthy
Another great Irish folk horror movie from Damian McCarthy. This one is about an American author (Adam Scott) visiting a hotel in the countryside of Ireland, where his parents had vacationed once, to scatter their ashes. But one of the rooms is locked up because it is supposedly haunted by a witch. There is also a murder mystery, and the film is bookended with a story within a story (the book he is writing, about a conquistador). McCarthy’s style of horror really gets to me. It is slow burn with a gradual build-up of tension and dread, before getting to the visceral horror. To me that is so much more effective, as it heightens the impact of the horror. Like Paul Tremblay’s novels, there is some ambiguity whether there was actually any supernatural element or not. McCarthy has gotten incrementally better with each movie, from Caveat to Oddity and now Hokum, his best. At this rate, I can’t wait to see what he does next.

The VVitch: A New-England Folktale (2015) directed by Robert Eggers
I saw this once before when it first came out, but it had been a while, and since becoming a larger fan of Eggers, I wanted to revisit his first film. The Witch is a folk horror masterpiece, much scarier than mainstream horror movies with jump-scares and visceral gore. The type of horror in this film is more subtle and cerebral, which I prefer. As with all of Eggers’ films, there is great effort and care put into historical accuracy. The story follows a family of New England Puritans in the 1630s as they struggle to survive alone on their homestead farm, which may be haunted by a witch in the woods. It felt so realistic, like this is what life was actually like for the early American colonists. Such realism and verisimilitude makes the horror elements all the more chilling. Just as his film The Northman assumed the supernatural beliefs of the Vikings to be true, this film assumes the supernatural beliefs of the Puritans to be true. If you asked actual Puritans in the 1630s to make the scariest movie they could imagine (and if you explained to them what a movie was), The VVitch is precisely what they would create.

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“Jurassic World: Generic Subtitle” Movie Review

Oops, I did it again. A couple of years ago, I wrote about how I had intended to watch the newest Jurassic World: Generic Subtitle movie, but mistakenly watched the previous Jurassic World: Generic Subtitle movie that I had already seen—but I didn’t realize it until halfway through because the film was so forgettable. I had never gotten around to seeing the newer Jurassic World: Generic Subtitle movie, so I intended to do that this year, but wound up watching the yet-newer Jurassic World: Generic Subtitle that came out after the previous Jurassic World: Generic Subtitle that I still hadn’t seen.

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Pleasantville: A Retrospective Film Review

One of the primary influences for my novel, TV Heaven, was the 1998 movie Pleasantville, directed by Gary Ross. I initially saw Pleasantville around when it first came out and liked it, though being only 12 years old at the time, I didn’t fully understand it. I rewatched Pleasantville around ten years later and appreciated it more deeply, with it becoming one of my favorite films.

I loved the meta fantasy concept of modern teens being transported into a 1950s TV show. And I loved the visual aesthetics, mixing black-and-white cinematography with color. That idea of visually mixing characters from different eras inspired me to write TV Heaven, originally a screenplay. While editing the novel adaptation, I rewatched Pleasantville again this past year, and I still enjoyed it, but noticed some issues I hadn’t picked up on before.

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Movies are the Ultimate Medium of Propaganda

Movies are the ultimate medium of propaganda. The visceral audiovisual experience transfixes the audience on every perceptual level of sight and sound. Movies stimulate the senses and manipulate emotions with music and charismatic actors. Great actors furthermore create a sort of parasocial relationship with the audience. The best actors, directors, musicians, and special effects artists combine their talents to deliver the final product of a film. Propagandists choose (or influence the choice of) the filmmaking talent to ensure a certain message is conveyed to the audience.

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Behind the Scenes of TV Heaven

TV Heaven, now a novel, was originally a screenplay that I wrote in 2012. I forget the precise impetus for the idea (about a magical town full of the greatest characters from television history), but I know I conceived of it while bored one day at work (at my old job, which ironically, involved watching television). The story was partially inspired by some of my favorite meta Hollywood movies, like The Truman Show, Pleasantville, Adaptation, Stranger Than Fiction, and Who Framed Roger Rabbit.

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TV Heaven: A Novel

Filman is the showrunner of a TV show called The Showrunner about a showrunner making a TV show called The Showrunner. Confused? So was the audience—or lack thereof.

When the show gets abruptly canceled mid-season, Filman finds himself magically transported to “TV Heaven,” a surreal town full of the greatest characters from television history. There he meets an assortment of citizens spanning a century of shows—from grayscale to animated, old to young, human, animal, robot, alien, and everything in between.

However, something is missing from this seeming paradise: Emma, the co-star and love interest from his show. As Filman struggles to adjust to life in TV Heaven, he goes through an existential crisis upon realizing he was just a fictional character on a television show.

Desperate to reunite with the woman he loves, Filman goes on a quest to return to the real world and find Emma. Hopefully then they can revive their show and give fans the cathartic ending they deserve.

TV Heaven – A Novel by T.Z. Barry

For fans of The Truman Show, Pleasantville, Who Framed Roger Rabbit, Stranger Than Fiction, Being John Malkovich, Adaptation, The Good Place, The Studio, Hollywood satire, and television history.

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Soccer vs Football in America

Every four years during the World Cup, Americans wonder why America isn’t good at soccer. The United States is not good at soccer because most children don’t grow up watching professional soccer on television. They don’t watch soccer on TV for the same reason football is the most popular sport in America. As Chuck Klosterman explained in his recent book Football, American football is the ultimate sport as a television product. The TV broadcasts of the games are what made the NFL so popular, overtaking baseball. Football is perfectly designed for television, to both the fans watching it, the networks broadcasting it, and the advertisers sponsoring it. Football is one of the rare sports that fans agree is better watched on TV than in person.

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Fantasy Sports as Preparation for Investing

Investing is the greatest game in the world. All previous games I played were preparation for financial investment—such as collecting baseball cards, fantasy sports, poker, chess, and Monopoly. Investing is the ultimate game because it is a combination of all other games. Investing has the strategic thinking of chess, the research and tracking of fantasy sports, and the monetary stakes of poker—except investing is better than all of them, because it combines those aspects together into one omni-game.

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Style vs Substance in Writing

What matters more in writing, style or substance? It is an age-old debate, and there is no clear answer, other than “it depends.” It depends on what type of piece you are writing and the ultimate intent of the writer. A literary poem is heavily weighted toward style, while a technical essay is heavily weighted toward substance. However, some essays can be highly stylized, such as those by David Foster Wallace. Fiction sits somewhere between poetry and essays. Some fiction is much more about the style of the prose than the substance of the plot, as in most literary fiction. The unique voice of the writer is more important than the plot, which sometimes doesn’t even exist. Meanwhile commercial fiction (romance and page-turning thrillers) is much more about the substance of the plot and characters. Readers of commercial fiction don’t care about highly stylized prose—in fact that is a distraction. They prefer straightforward, journalistic essay-like prose that delivers the story clearly.

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The 2026 Nova Knicks

The New York Knicks, my hometown basketball team, just won the NBA Finals for the first time in 53 years, led by three players from Villanova, my college alma mater. Dubbed the “Nova Knicks,” it felt surreal, like this team was specifically designed for me. As an adult, I don’t get as emotionally invested in sports as I used to, but I’ve never had this much fun rooting for a professional sports team. The only thing that compares is the two times Villanova won the NCAA championship (2016 and 2018), led by three of the same players: Jalen Brunson, Mikal Bridges, and Josh Hart. Watching the Nova Knicks felt like being an early fan of a local indie rock band, who years later, break out into worldwide mainstream success. But unlike indie hipsters, I don’t resent the newcomers. I welcome any and all onto the Nova Knicks bandwagon. To explain why this team meant so much to me, let’s go back to the beginning.

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