“I have now, and have had since this afternoon, a great yearning to write all my anxiety entirely out of me, write it into the depths of the paper just as it comes out of the depths of me, or write it down in such a way that I could draw what I had written into me completely.”
— Franz Kafka
Whenever something is bothering me, and I am overcome with running thoughts, the best way to relieve that anxiety is to write my thoughts down. Afterwards, I almost always feel better and the running thoughts subside. Simply writing about my fears and worries helps in easing them. Why is that?
Tenet is Christopher Nolan’s most ambitious film conceptually to date, which is saying something considering he made Memento, The Prestige, Inception, and Interstellar. Without spoilers, Tenet involves time travel, but it is a unique version of time travel—perhaps the most inventive form of time travel I’ve ever seen in a movie—and the most complex.
Perfectionism is a gift and a curse. Before publishing a work of fiction, I spend an inordinate amount of time rewriting and editing it, long after most writers would consider it “done” and publishable. I re-read the manuscript again and again, going over every sentence, every word and punctuation mark, making sure it is precisely as I wish.
Mystery is the key to every successful story. Even if a story is not explicitly a mystery, it needs to have some element of mystery within it. If there’s no mystery, wherein the reader is wondering what will happen next, they have little reason to continue reading the story.
Work for Idle Hands was originally written in 2016 as a 9,000-word short story. At that time I was still pursuing screenwriting in tandem with prose writing, so I decided to adapt the story into a screenplay. But after unsuccessfully trying to pitch the screenplay to agents and producers, I decided to re-adapt it back into prose form, but longer since I had expanded the original short story when adapting it into movie form. This final version is a sort of amalgam of the short story and screenplay, which I expanded upon further. The final word count is triple the length of the original short story, at almost 30,000 words. I think this novella version is the best of the three. The novella may be my favorite form for a story. It is the perfect length to tell a full story and develop characters without getting bogged down by side-plots.
I’ve always been weird. As a child, my earliest memories from school were how I was always so much different than everyone else—not just personality-wise, being extremely shy compared to them, but also in my interests. The other kids weren’t into the things I wanted to do and talk about which was probably why I didn’t like talking to them. But the weird thing is I didn’t like being weird as a kid. I had such severe social anxiety that I wanted to fit in and be like everybody else. I was terrified of being ostracized and rejected by my peers. I didn’t want to stand out, so I would hide my weird interests from them.
Writing fiction is not something that can be taught with a simple “how-to” book. A creative artistic endeavor like fiction writing is something you have to learn by doing yourself. Each writer is different—at least the good ones are—therefore their method to write fiction is different. So this post is not “how to write fiction like others” but “how to teach yourself to write fiction your own way.”
Have you ever noticed that most artists tend to get less creative when they get older? A band’s first album is often their best—or maybe their second or third album is better—but rarely does a band record their most creative music on their twelfth album. Sure, some artists like The Rolling Stones continue to perform well into their 70s, but they are only rehashing the creativity of their 20s and 30s. They are not recording new songs, or if they are, those new songs are nowhere near as beloved or creative as their earlier work. That is the normal life cycle of most musical artists: they release creative music when young, get popular, then “play the hits” for the rest of their career.
What is a better form of communication: talking or writing? For me, talking is inferior and inefficient compared to writing. Writing gives you time to pause, reflect, consider, and then express exactly what you feel. Some may say that talking to someone face to face is the only way to really know another person fully—to get a sense of their true self. While that may be true for some people, that is not the case for me.
Throughout my life, I get super-interested in certain topics and go all-in, becoming completely absorbed in the subject for weeks, months, or sometimes years. Eventually, when I’ve learned everything worth knowing, I become bored of the subject and move on to something else, becoming super-interested in that new topic… until I’m not. Then the cycle repeats again.