Work for Idle Hands was originally written in 2016 as a 9,000-word short story. At that time I was still pursuing screenwriting in tandem with prose writing, so I decided to adapt the story into a screenplay. But after unsuccessfully trying to pitch the screenplay to agents and producers, I decided to re-adapt it back into prose form, but longer since I had expanded the original short story when adapting it into movie form. This final version is a sort of amalgam of the short story and screenplay, which I expanded upon further. The final word count is triple the length of the original short story, at almost 30,000 words. I think this novella version is the best of the three. The novella may be my favorite form for a story. It is the perfect length to tell a full story and develop characters without getting bogged down by side-plots.
Have you ever noticed that most artists tend to get less creative when they get older? A band’s first album is often their best—or maybe their second or third album is better—but rarely does a band record their most creative music on their twelfth album. Sure, some artists like The Rolling Stones continue to perform well into their 70s, but they are only rehashing the creativity of their 20s and 30s. They are not recording new songs, or if they are, those new songs are nowhere near as beloved or creative as their earlier work. That is the normal life cycle of most musical artists: they release creative music when young, get popular, then “play the hits” for the rest of their career.
Finding older movies is surprisingly difficult in the age of online streaming. Netflix has severely cut down on their movie catalogue, focusing on their own original television series, and most other streaming services do the same. Amazon has a decent collection of movies, as does the new HBO Max, and I’ve also found some rare gems on Vudu and Tubi, streaming services that are free with ads. JustWatch has become essential in figuring out where and how to watch any given movie. I wish the streaming services would focus more on making original movies rather than television series, but it’s in their economic interest to create addictive TV series that will keep you watching longer. Just as it is in the Hollywood movie studios’ interest to make $100+ million tentpole blockbusters based on pre-existing material.
With the conclusion of the latest Star Wars trilogy, and supposedly the end of the Skywalker saga, I’ve been thinking about the series as a whole and its legacy. I liked each movie in the new trilogy upon first watching them. They were all enjoyable and exciting in-theater experiences with seemingly had everything you’d want in a Star Wars story: the Force, the Dark Side, lightsabers, space battles, aliens, planets, robots, Jedi, Sith, old masters, young apprentices, new characters, old characters, science fiction concepts, and more. I truly had a great time watching each movie the first time around, but it was only upon later reflection that I realized the parts didn’t quite add up to the whole. The acting, writing, and direction were all top-notch, especially compared to episodes 1-3, but the problem with this new trilogy, and the one area where the prequels were superior, is perhaps the most important part of all: story. Continue reading →
Film is the most popular art form today because it is the art form that most resembles real life. In the future, that medium may become virtual reality (VR) and ultimately full-world simulations. But for now, movies are the most visceral medium because they look and sound like real life. Continue reading →
With 2019 winding down, it’s time for my fourth annual list of the ten best films (at least ten years old) that I watched this past year. As I’ve said before, these lists are always kind of random and arbitrary, based on the movies I happen to choose to watch (or re-watch) that year. I tend to prefer watching something I’ve never seen before over re-watching, though as you’ll see, there were a couple of those this year. Continue reading →
It’s ironic that I write science fiction books as an adult considering I didn’t even read science fiction books as a child. Actually, I didn’t read any books at all, other than those assigned in school—which, aside from Fahrenheit 451 and 1984, were never science fiction. I loved sci-fi movies as a child and was captivated by space exploration and future technology, but I struggled with books about those same topics. It wasn’t until later in life, post-college, that I really started to enjoy reading (books in general and science fiction in particular). Continue reading →
Why are blockbusters getting worse? Short answer: Money.
Long answer: Blockbuster franchise movies have become such a cash cow that the corporations who own the major studios are relying on these billion-dollar movies as a primary source of revenue. The studios operate at the whim of the corporation’s board and shareholders, so they become risk-averse and reject any new or creative ideasbecause they don’t know if it will succeed or fail. Continue reading →
Since a child, I always loved movies and television more than books or any other kind of art. Film was my favorite form of art because it encapsulated all other art forms: music, photography, cinematography, acting, writing, storytelling, painting, makeup, clothing, fashion, costumes, sculpture, props, architecture, computer graphics, animation, etc… The list goes on. That’s why there are so many names at the end of a movie. Almost all those people are artists in their own right, contributing to the master artwork that is the film. Continue reading →