Why are blockbusters getting worse? Short answer: Money.
Long answer: Blockbuster franchise movies have become such a cash cow that the corporations who own the major studios are relying on these billion-dollar movies as a primary source of revenue. The studios operate at the whim of the corporation’s board and shareholders, so they become risk-averse and reject any new or creative ideas because they don’t know if it will succeed or fail. Continue reading →
Since a child, I always loved movies and television more than books or any other kind of art. Film was my favorite form of art because it encapsulated all other art forms: music, photography, cinematography, acting, writing, storytelling, painting, makeup, clothing, fashion, costumes, sculpture, props, architecture, computer graphics, animation, etc… The list goes on. That’s why there are so many names at the end of a movie. Almost all those people are artists in their own right, contributing to the master artwork that is the film. Continue reading →
Black Mirror is the future. I don’t mean the dystopian technological prophecies in the show will come true (though many of them might). I mean the format of 50 to 70-minute self-contained stories are the future of film and television storytelling. Continue reading →
Cultural critics used to be essential curators of music, movies, books, and art. When there were only a couple of newspapers or radio stations or TV stations, the select few professional critics had enormous power in telling the public which art they should pay attention to. Then came the internet and everything changed. With blogs, message boards, and podcasts, anybody could become a critic. Both the creation and critique of art became more democratic. Traditional critics became less important. People preferred to take recommendations from like-minded people in their specific cultural niche. This gave real cultural power to bloggers and amateur critics on the internet who developed a following. Continue reading →
Last year, I vowed to see more old movies in 2018 to improve this annual list, but halfway through the year, I was failing to do so. I was a MoviePass subscriber, so I spent most of my free time seeing new movies in the theater. When MoviePass changed their deal toward the end of the summer, I canceled my plan, which was a blessing in disguise because I suddenly had a lot more free time to watch older movies. There are so many classics I’ve yet to see, plus masterpieces I want to rewatch. The ten-year rule is kind of arbitrary, but a decade is a good benchmark to judge a film outside of its original context. You can see how it stacks up in history and if it stands the test of time. Again, this is a somewhat random list, based on the movies (at least ten years old) that I happened to watch (or re-watch) this past year. Continue reading →
Verisimilitude, or the appearance of being real, is the key to a successful story. It’s what allows one to get completely lost in a narrative and forget it’s a work of fiction. Verisimilitude doesn’t necessarily mean the story must represent the real world as we know it. A story set in a science fiction or fantasy world must also have verisimilitude, or in other words, everything must seem real and believable within the world of the story. While movies may appear to be the more “realistic” medium, I think it may be easier to achieve verisimilitude in books. Continue reading →