With 2019 winding down, it’s time for my fourth annual list of the ten best films (at least ten years old) that I watched this past year. As I’ve said before, these lists are always kind of random and arbitrary, based on the movies I happen to choose to watch (or re-watch) that year. I tend to prefer watching something I’ve never seen before over re-watching, though as you’ll see, there were a couple of those this year. Continue reading →
It’s ironic that I write science fiction books as an adult considering I didn’t even read science fiction books as a child. Actually, I didn’t read any books at all, other than those assigned in school—which, aside from Fahrenheit 451 and 1984, were never science fiction. I loved sci-fi movies as a child and was captivated by space exploration and future technology, but I struggled with books about those same topics. It wasn’t until later in life, post-college, that I really started to enjoy reading (books in general and science fiction in particular). Continue reading →
Why are blockbusters getting worse? Short answer: Money.
Long answer: Blockbuster franchise movies have become such a cash cow that the corporations who own the major studios are relying on these billion-dollar movies as a primary source of revenue. The studios operate at the whim of the corporation’s board and shareholders, so they become risk-averse and reject any new or creative ideasbecause they don’t know if it will succeed or fail. Continue reading →
Since a child, I always loved movies and television more than books or any other kind of art. Film was my favorite form of art because it encapsulated all other art forms: music, photography, cinematography, acting, writing, storytelling, painting, makeup, clothing, fashion, costumes, sculpture, props, architecture, computer graphics, animation, etc… The list goes on. That’s why there are so many names at the end of a movie. Almost all those people are artists in their own right, contributing to the master artwork that is the film. Continue reading →
Black Mirror is the future. I don’t mean the dystopian technological prophecies in the show will come true (though many of them might). I mean the format of 50 to 70-minute self-contained stories are the future of film and television storytelling. Continue reading →
Cultural critics used to be essential curators of music, movies, books, and art. When there were only a couple of newspapers or radio stations or TV stations, the select few professional critics had enormous power in telling the public which art they should pay attention to. Then came the internet and everything changed. With blogs, message boards, and podcasts, anybody could become a critic. Both the creation and critique of art became more democratic. Traditional critics became less important. People preferred to take recommendations from like-minded people in their specific cultural niche. This gave real cultural power to bloggers and amateur critics on the internet who developed a following. Continue reading →