Tag Archives: YouTube

Horror Movies I Watched in 2026

With Halloween approaching, I have compiled a list of all the horror movies I watched this past year, old and new, good and bad, and everything in between. I began separating them from my other lists because I watch so many horror movies, especially in October. The films are sorted into tiers based on quality and listed alphabetically within each tier. As streaming rights are always changing, check JustWatch.com to see where they are currently available to watch.

Tier 1: Cinematic Masterpieces

Hokum (2026) directed by Damian McCarthy
Another great Irish folk horror movie from Damian McCarthy. This one is about an American author (Adam Scott) visiting a hotel in the countryside of Ireland, where his parents had vacationed once, to scatter their ashes. But one of the rooms is locked up because it is supposedly haunted by a witch. There is also a murder mystery, and the film is bookended with a story within a story (the book he is writing, about a conquistador). McCarthy’s style of horror really gets to me. It is slow burn with a gradual build-up of tension and dread, before getting to the visceral horror. To me that is so much more effective, as it heightens the impact of the horror. Like Paul Tremblay’s novels, there is some ambiguity whether there was actually any supernatural element or not. McCarthy has gotten incrementally better with each movie, from Caveat to Oddity and now Hokum, his best. At this rate, I can’t wait to see what he does next.

The VVitch: A New-England Folktale (2015) directed by Robert Eggers
I saw this once before when it first came out, but it had been a while, and since becoming a larger fan of Eggers, I wanted to revisit his first film. The Witch is a folk horror masterpiece, much scarier than mainstream horror movies with jump-scares and visceral gore. The type of horror in this film is more subtle and cerebral, which I prefer. As with all of Eggers’ films, there is great effort and care put into historical accuracy. The story follows a family of New England Puritans in the 1630s as they struggle to survive alone on their homestead farm, which may be haunted by a witch in the woods. It felt so realistic, like this is what life was actually like for the early American colonists. Such realism and verisimilitude makes the horror elements all the more chilling. Just as his film The Northman assumed the supernatural beliefs of the Vikings to be true, this film assumes the supernatural beliefs of the Puritans to be true. If you asked actual Puritans in the 1630s to make the scariest movie they could imagine (and if you explained to them what a movie was), The VVitch is precisely what they would create.

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The Best TV I Streamed in 2025

I’ve reviewed the best movies (horror, old, and new) I watched in 2025, so now it is time for television. I didn’t do a roundup of the TV shows I watched last year (because I watch more movies than TV), so this post includes shows I’ve watched over the past two years.

Tier 1: Television Masterpieces

The Rehearsal (season 2)
Nathan Fielder continues to surprise and impress me. No one else has even thought of attempting something this ambitious on television before. Nathan spent two years learning how to fly a 737 airplane for a comedy show. Except it’s not really a comedy show, it’s more like a mass psychological experiment. Like Dostoevsky, Fielder uses his art form (reality TV and comedy) to unveil great truths about human nature and expose societal problems.

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Best TV (and YT) I Streamed in 2023

1. How to with John Wilson (Season 3)

This continues to be one of the most uniquely brilliant shows on television. It blows my mind how John Wilson is even able to create this show, what his process must be, constantly filming his daily life and somehow editing it all into something cohesive and interesting. There is nothing else like it on TV. It’s almost like an entire show built around synchronicity. He follows serendipity wherever it takes him, around New York City and the entire country. He finds the weirdest people, and like Nathan Fielder, isn’t afraid to get super awkward. But the show is also quite heartfelt at times. Sadly, this is the final season, but I will eagerly watch whatever John Wilson does next. 

2. Succession

I wrote about all four seasons of Succession here (and a fictional fifth season here).

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E Nihilus Infinitum: Social Media and U.S. Fiction

In “E Unibus Pluram: Television and US Fiction,” David Foster Wallace’s brilliant 1990 essay1, he hypothesized that fiction writers (like himself and myself) are natural oglers or people-watchers. Writers used to have to observe people in the real world, in public, to get the material for their fiction. But fiction writers (like him and me) are often self-conscious types with social anxiety, which was why television was such a godsend for people like him. With TV, self-conscious writers could ogle and people-watch from the comfort of their own homes without the other people seeing them. In this sense, DFW argued, television is a form of voyeurism.

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Recommendation Algorithms Rule Your Life

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Cultural critics used to be essential curators of music, movies, books, and art. When there were only a couple of newspapers or radio stations or TV stations, the select few professional critics had enormous power in telling the public which art they should pay attention to. Then came the internet and everything changed. With blogs, message boards, and podcasts, anybody could become a critic. Both the creation and critique of art became more democratic. Traditional critics became less important. People preferred to take recommendations from like-minded people in their specific cultural niche. This gave real cultural power to bloggers and amateur critics on the internet who developed a following. Continue reading →