Storytellers often defend their work that is criticized for a poor ending (cough-cough LOST) by claiming that the story or plot didn’t really matter—it was about the characters all along. This is a cop-out. The most important part of any story is the STORY, not the characters, and a story is not a story without “The End.”
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Most of my toughest problems writing fiction come from hitting a wall midway through the first draft when I realize I must alter the narrative in some dramatic way, requiring massive rewrites of what I’d written so far. This doesn’t always happen, but when it does, it is demoralizing—especially for longer projects like novels. I dread going back to do that rewriting work because it is difficult, tedious, and time-consuming. Fixing what I wrote before often takes longer than it took to write in the first place.
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My favorite part of writing might be outlining. Not actually creating a formal outline, but the moment I first hatch the idea and jot notes down. It’s more like free-writing. The ideas come to me rapidly, and I just try to get it all down as fast as I can. They come out of order: plot points, characters, action scenes, settings… My mind naturally sculpts the ideas into stories with three acts: a beginning, middle, and end. In a half-hour, I could have a page or two—and it may look like a mess—but it’ll contain the structure of an entire screenplay/novel. I can see the entire story in my head like a movie. My mind fills in the gaps between the scenes. It feels complete. I don’t even need to write it—other than to share it with other people. Continue reading
One of the big debates in writing fiction is plotting versus pantsing. Outlining your story ahead of time, or making it up as you go along. Continue reading
T.Z. Barry 