I wasn’t a big comic book reader when I was a kid, but in recent years, I have become a huge fan of the medium. I love both movies and novels, but in many ways, comics take the best of both worlds, combining the visual images of film with the textual dialogue of novels. When you think about it, comics are one of the oldest and purest forms of storytelling, dating back to cave paintings. I’d like to write a graphic novel of my own, if only I could draw better. Continue reading →
I wish I could be like J.D. Salinger or Thomas Pynchon, a famous author who stays completely out of the public eye. No interviews. No social media. No website. Retain an air of mystery about myself. Build a mystique. It’s an alluring idea, but I’m not sure if it’s possible anymore to be both a famous author and a recluse. Continue reading →
I briefly talked about Haruki Murakami’s memoir, What I Talk About When I Talk About Running, in my “Top Ten Books I Read in 2016” post, but I thought this book was worth expanding on, particularly Murakami’s passages about his introversion. Continue reading →
The late great horror writer H.P. Lovecraft once said, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” He may not have been referring to social anxiety, but he could have been. Continue reading →
As 2016 is winding down, I thought I’d do a best-of list, but it won’t be a “best books released in 2016,” since there are too many I have yet to read. Instead, I’ll do a list of the best books I read in 2016, regardless of when it was originally published.
Fyodor Dostoyevsky’s 1864 novel, Notes From Underground, is about an unnamed narrator who has gone “underground” to live in isolation from society. He shows several signs of social anxiety through his thoughts and actions. The following quotes from the Underground Man convey what social anxiety feels like. Continue reading →
Notes From the Underground is an 1864 novel written by the Russian writer, Fyodor Dostoyevsky. It is told from the perspective of an unnamed narrator who has gone underground, or withdrawn from society to live in isolation. Broken up into two parts, the first, called “Underground,” includes the narrator’s rambling thoughts and philosophies about life, consciousness, and all the things he dislikes about society. In the second part, “Apropos of the Wet Snow,” the narrator goes out into society and has several misguided interactions with people. Continue reading →