For Cyber Monday and the rest of the week, some of my ebooks are available at discounted prices on Amazon.
My sci-fi mystery novella Work for Idle Hands is on sale for $0.99
My trio of stories about the future of autonomous vehicles, Death by Self-Driving Car, is $0.99
And my larger collection of 27 short stories of various genres, Story Addict, is also $0.99 for a limited time.
Dune (1965)
In anticipation of the new Dune movie, directed by one of my favorite filmmakers, Denis Villeneuve, I decided to read the classic novel by Frank Herbert before seeing the film adaptation. Dune is one of those books that appears on every all-time best of list for science fiction. Sometimes you read a book like that and it feels dated or over-hyped (such as Ringworld by Larry Niven, which I also read this past year), but not in this case. Dune not only met but exceeded my expectations.
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Why do people freak out when they meet celebrities? I used to think it was ridiculous how fans go wild and lose their minds when they see their favorite singer/actor/athlete in person. But I have to admit, when I see a famous person in public, I feel an emotional reaction as well. Albeit not to the same extent. I don’t act crazy or run up for selfies and autographs, but I do have a surreal feeling of awe, like, wow, its really them. I used to think those who had extreme emotional reactions toward celebrities were immature or obsessed with fame—and maybe some are—but I don’t consider myself either, yet I still experience that surreal feeling.
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As a child I was terrified of horror movies and avoided watching them. Two of my favorite movies were Jurassic Park and Independence Day, and while they were not directly horror, there were certain scenes in each film that I had to close my eyes during because I was so terrified. (They were when the raptors popped out and when they showed the alien body in the Area 51 base). Though I avoided explicit horror, I enjoyed spooky movies and TV shows intended for children, such as Disney’s Legend of Sleepy Hollow and Nickelodeon’s Are You Afraid of the Dark?. I liked PG horror because it was merely spooky and creepy, not outright terrifying. The first true horror movie I remember seeing was Scream, which came out in 1996 when I was ten years old. Though that movie was meant to be somewhat comedic, the Ghostface mask nevertheless remained burned in my mind and gave me nightmares for months after.
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I am a recovering Twitter junkie. I used to be addicted to the social media network—that is addicted to reading others’ tweets as opposed to tweeting myself. When I first joined Twitter in 2009 I would only read my timeline. I didn’t tweet anything myself until much later. At first I only followed a couple dozen people, but over time the number of people I followed grew and grew. I don’t know if it was some kind of obsessive compulsive trait of mine, but I felt a need to read every tweet in my timeline. When I woke up in the morning I’d scroll back through all the tweets I missed the previous night. Such a practice was manageable then because I wasn’t following too many people (in the dozens), and those I followed didn’t tweet too often.
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“I have now, and have had since this afternoon, a great yearning to write all my anxiety entirely out of me, write it into the depths of the paper just as it comes out of the depths of me, or write it down in such a way that I could draw what I had written into me completely.”
— Franz Kafka
Whenever something is bothering me, and I am overcome with running thoughts, the best way to relieve that anxiety is to write my thoughts down. Afterwards, I almost always feel better and the running thoughts subside. Simply writing about my fears and worries helps in easing them. Why is that?
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Tenet is Christopher Nolan’s most ambitious film conceptually to date, which is saying something considering he made Memento, The Prestige, Inception, and Interstellar. Without spoilers, Tenet involves time travel, but it is a unique version of time travel—perhaps the most inventive form of time travel I’ve ever seen in a movie—and the most complex.
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Perfectionism is a gift and a curse. Before publishing a work of fiction, I spend an inordinate amount of time rewriting and editing it, long after most writers would consider it “done” and publishable. I re-read the manuscript again and again, going over every sentence, every word and punctuation mark, making sure it is precisely as I wish.
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Mystery is the key to every successful story. Even if a story is not explicitly a mystery, it needs to have some element of mystery within it. If there’s no mystery, wherein the reader is wondering what will happen next, they have little reason to continue reading the story.
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The paperback version of my new novella, Work for Idle Hands, is now available on Amazon.
Some fun facts about WFIH:
Work for Idle Hands was originally written in 2016 as a 9,000-word short story. At that time I was still pursuing screenwriting in tandem with prose writing, so I decided to adapt the story into a screenplay. But after unsuccessfully trying to pitch the screenplay to agents and producers, I decided to re-adapt it back into prose form, but longer since I had expanded the original short story when adapting it into movie form. This final version is a sort of amalgam of the short story and screenplay, which I expanded upon further. The final word count is triple the length of the original short story, at almost 30,000 words. I think this novella version is the best of the three. The novella may be my favorite form for a story. It is the perfect length to tell a full story and develop characters without getting bogged down by side-plots.
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T.Z. Barry 