
The future of movies will be the present of books. Filmmaking will become like self-publishing today in the sense that anybody can easily do it entirely by themselves.
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The future of movies will be the present of books. Filmmaking will become like self-publishing today in the sense that anybody can easily do it entirely by themselves.
Continue reading
It’s ironic that I write science fiction books as an adult considering I didn’t even read science fiction books as a child. Actually, I didn’t read any books at all, other than those assigned in school—which, aside from Fahrenheit 451 and 1984, were never science fiction. I loved sci-fi movies as a child and was captivated by space exploration and future technology, but I struggled with books about those same topics. It wasn’t until later in life, post-college, that I really started to enjoy reading (books in general and science fiction in particular). Continue reading

Why are blockbusters getting worse? Short answer: Money.
Long answer: Blockbuster franchise movies have become such a cash cow that the corporations who own the major studios are relying on these billion-dollar movies as a primary source of revenue. The studios operate at the whim of the corporation’s board and shareholders, so they become risk-averse and reject any new or creative ideasbecause they don’t know if it will succeed or fail. Continue reading

Since a child, I always loved movies and television more than books or any other kind of art. Film was my favorite form of art because it encapsulated all other art forms: music, photography, cinematography, acting, writing, storytelling, painting, makeup, clothing, fashion, costumes, sculpture, props, architecture, computer graphics, animation, etc… The list goes on. That’s why there are so many names at the end of a movie. Almost all those people are artists in their own right, contributing to the master artwork that is the film. Continue reading

I recently listened to an episode of the Broken Projector podcast that featured an interview with a Hollywood literary manager. He talked about what he looks for in a prospective screenwriter client and gave some good advice, chief of which is to “write a great script,” but I was a bit disheartened by something else he said. Continue reading