Tag Archives: filmmaking

Hollywood Thinks They Know Everything

Leave a reply

The great screenwriter William Goldman had a famous quote about Hollywood: “Nobody knows anything.” His full quote elaborated: “Not one person in the entire motion picture field knows for a certainty what’s going to work. Every time out it’s a guess and, if you’re lucky, an educated one.” Goldman meant that, beforehand, nobody (neither the producers, studio executives, directors, actors, or critics) could accurately predict which movies would be breakout hits or which would be box office duds. There are always surprises in both directions: movies everyone thinks will succeed end up bombing, while surefire flops become smash hits. At least that’s the way the movie industry used to work. Now Hollywood thinks they know everything.

Continue reading →

Indiana Jones and the Rewatching of Movies

Leave a reply

I used to work at a job where I had to watch cable TV all day. (It sounds more fun than it was.) One of the networks I had to watch would often replay the same movies over and over again. At that time I was studying screenwriting and wanted to write movies myself, so it was instructive to watch a single movie multiple times to deconstruct it and figure out what the filmmakers did right or wrong, how and why. I tend to avoid rewatching movies unless it’s one of my absolute favorites, and even then, only years later when I don’t remember it too well. But for this job, I wound up seeing the same movie multiple times in a single day, or two days in a row, or several times over the course of a week/month/year. I saw both good movies and bad movies this way—and some movies that I thought were good when I first saw them, but by the fifth or tenth time realized it wasn’t very good in the first place. One movie (or group of movies) that I repeatedly watched at my job was the Indiana Jones franchise. 

Continue reading →

The Artistic Singularity: Generative AI and the Future of Movies

1 Reply

One of my works in progress is a science fiction novella about the creation of an artificial general intelligence (AGI). The story features a scene where the human programmers are amazed that the AGI can create original artwork of any kind on demand. I wrote the first draft in 2018. Yes, just four years ago an AI that could create art seemed like a speculative bit of futurism. Now it appears I will need to revise that scene, as what was “sci-fi” then is now just “sci.” Reality is progressing faster than I can publish science fiction.

When I wrote this post about DALL-E last May, I had only seen others’ generative-AI creations; I hadn’t gotten the chance to create my own AI art yet. Now I have and am utterly addicted. There was much hype around AI image generators like DALL-E and Midjourney when they were first released. Usually when something is hyped that much in the media it is overblown; the reality is far less dramatic. But after DALL-E became public, plus the release of the free and open-source Stable Diffusion, I have had the chance to create my own AI art (thousands of images at this point—and counting). While the initial hype was quite high, I would venture to say it was not nearly high enough. Most people still don’t realize how significant generative AI is/will be. In the future, people will look back at the world pre-AI art as a distinct, unrecognizable time. Generative AI is a total game-changer, an artistic singularity.

Continue reading →

Top 10 Movies (At Least 10 Years Old) I Saw in 2022

Leave a reply

With 2022 winding down, it’s time for my seventh annual list of the ten best films (at least ten years old) that I watched over this past year. The list is somewhat random and arbitrary, based on the movies I happen to choose to watch (or re-watch). The only theme I noticed from this year’s list is that the 1970s truly were a Golden Age of Hollywood filmmaking. Even some of the deeper cuts from that decade are great.

1. Jeremiah Johnson [1972] – Directed by Sydney Pollack

I would say they don’t make movies like this anymore, except they did—at least once with The Revenant in 2015, which was clearly influenced by Jeremiah Johnson. This is a powerful film, so different from most of the CGI-reliant movies made today. You can tell the cast and crew were actually there on location in the remote wilderness of Utah filming this movie—and simply seeing that natural landscape on the big screen was captivating. It makes you realize just how extraordinary the pioneers who ventured out West were, considering the lengths it took to survive mother nature. The film also portrays the tragic violence that took place between humans—the pioneers and the Native Americans. Sometimes I feel the desire to become like Jeremiah Johnson and move out to the remote mountains, build my own cabin, and live a quiet life alone in nature to read and write—but only sometimes.

Continue reading →